Impact XT Housekeeping - De-Cluttering The Console with Multi-Out Presets
In this video, I demonstrate a simple tip that can be used to de-clutter Studio One's Console when running Virtual Instruments with Multi-Outs enabled.
In this video, I demonstrate a simple tip that can be used to de-clutter Studio One's Console when running Virtual Instruments with Multi-Outs enabled.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Simple Midrange Mix Check EQ Trick
In this video, I demonstrate a midrange "Mix Check" trick that I've been using lately, to gain perspective of the midrange elements in my mix.
In this video, I demonstrate a midrange "Mix Check" trick that I've been using lately, to gain perspective of the midrange elements in my mix.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
How to hear your Live Input AND Previously Recorded Audio when Using Green Z & Tape Style Monitoring
If you use a combination of Tape Style Monitoring, with Native Low Latency (Green Z) enabled, and need a way to monitor your live input in addition to track playback when doing punch-in’s - then this video is for you.
In this video, I'm going to tackle a subject that I've been hesitant to put under a spotlight for a while now. Why? Well, In general - I find that "workaround" videos are generally met with a lot of negativity. And if there's one thing that truly bothers me, it's negativity. Also for me personally, I don't really find the issue to be bothersome, but I know that many other users do.
Furthermore, it's really only relevant when using a very specific combination of monitoring, (which just so happens to be the one that I use) being:
1) Monitoring Mutes Playback (Tape Style) enabled
2) Native Low Latency Monitoring (Green Z) enabled
Download SoundRadix' Muteomatic (for free)
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Review - Babylonwaves | Art Conductor 7 - A Must Have For Composers and Producers in Studio One?
In this video, I take a look at Art Conductor 7 - from "Babylonwaves" - a 3rd party product which adds close to 8000 Sound Variation (Key Switch) template presets and supports over 500 3rd party instruments.
In this video, I take a look at Art Conductor 7 - from "Babylonwaves" - a 3rd party product which adds close to 8000 Sound Variation (Key Switch) template presets and supports over 500 3rd party instruments.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Exporting Stems When Working with Multi-Instruments in PreSonus Studio One
In this video, I take a look at a nice feature that allows users to export individual streams of their Multi-Instruments within the 'Export Stems' feature.
In this video, I take a look at a nice feature that allows users to export individual streams of their Multi-Instruments within the 'Export Stems' feature.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Impact XT Tips - Part 2 - Stack Mode | Velocity Mode | The Edit Sample Option
In this video, I discuss 2 different layer modes including Stack mode, and Velocity mode. More specifically when to use each, and WHY they're useful. In addition, we will also cover using the 'Edit Sample' option.
In this video, I pick up from where I left off in Part 1 - this time, discussing 2 different layer modes including Stack mode, and Velocity mode. More specifically when to use each, and WHY they're useful. In addition, we will also cover using the 'Edit Sample' option.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Impact XT Tips - Part 1 - Velocity and Filter Cutoff
In this first video of a multi-part series I take a look at how Velocity, Filter Cutoff, and Velocity to Filter can be used when working with One-Shot Samples in Impact XT.
In this first video of a multi-part series I take a look at how Velocity, Filter Cutoff, and Velocity to Filter can be used when working with One-Shot Samples in Impact XT.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Free Series - Studio One for Logic Pro X Users
In this free video series made possible with the kind support of PreSonus - I explore Studio One coming from a Logic Pro X User's perspective.
For quite some time now, I have had the idea to show DAW specific content for new Studio One users looking to either add Studio One to the list of DAW’s that they work in, or make the permanent move.
With that being said, I am super pleased to release my first series “Studio One For Logic Pro X Users”. But before you get started, I just want to take a moment to outline a couple key points:
This series (YT Playlist) will continue to be expanded upon. I will be adding additional videos as new ideas come to me, or as requests come in. I already have 2-3 additional videos that I plan to record soon, so watch this space..
I have created these videos under the assumption that any LPX user understands the absolute fundamental basics of working within a DAW. So there are some things that I have omitted in an effort to spend my efforts delivering what I consider to be valuable information for those who already have a specific workflow in place, and just want to get going in as little time as possible.
I’ve chosen to go with a YT Playlist because I want all of this information to be available in ONE PLACE - vs users having to search far and wide for separate videos released at separate times. I really love the idea of someone being able to bookmark the URL - and visit back, as new content is released or as a refresher.
I cover A LOT of ground in each one of these video’s - and although each video has a very specific title - I have done my best to offer as much information as possible on each specific task. There might be some overlap here and there, but I’ve tried to stay on point, and not repeat myself too many times.
This content was made with the kind support of the good people at PreSonus.
So with all that being said - I hope you enjoy the series, and look forward to adding to this playlist - and also venturing into “other” DAW’s with a similar format in the near future.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
WHY You Should Calculate and Set a Record Offset in PreSonus Studio One
In this video, I demonstrate how to calculate (and set up) a Record Offset for your audio interface in PreSonus Studio One. In addition, I also talk about WHY it's important.
Have you ever wondered if the audio you’re capturing is coming in exactly as expected? I mean, we’re really splitting hairs here, when we talk about sample accuracy - but never the less, I don’t think it’s a bad thing to have your system set up with the right settings, to guarantee you’re getting exactly what you think you are.
In this video, I demonstrate how to calculate (and set up) a Record Offset for your audio interface in PreSonus Studio One. In addition, I also talk about WHY it's important.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus
Native Low Latency Monitoring (Green Z) - With Tape Style Monitoring In PreSonus Studio One
In this video, I demonstrate my favourite combination of Monitoring that I like to use when tracking with my Quantum system in PreSonus Studio One.
For anyone who has ever recorded in a DAW - Latency is (and always has been) something that one needs to combat. That being said, there are way’s to get around this. The easiest being running a separate software Mixer that pairs with an Audio Interface - which routes an Audio input directly to the output, and merges it with the Main Outs of your DAW. But these require a user to run 2 separate applications, when recording.
Then there are DSP based systems which are a little more elegant such as Pro Tools HDX, and the relatively newer LUNA based recording system from Universal Audio. Both these systems handle latency by offering a Low Latency Monitoring Path - which can be used when tracking.
Furthermore, a lot of systems will use an “Auto-Input Monitoring” style workflow when handling these low latency paths.
But did you know that as of Version 3.5 - Studio One has something similar that works Natively without the need for DSP? This is by far one of my absolute favourite features, and gets used for 99% of the work I do.
In this video, I demonstrate my favourite combination of Monitoring that I like to use when tracking with my Quantum system in PreSonus Studio One.
And as always, if you enjoy this content, please - Share, Subscribe, and hit that like button. :)
Cheers, Marcus